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This paper analyses two recent ghetto action movies: Dope and Straight Outta Compton It argues that in returning to the cinematic hood in , it is necessary and logical to revisit literature surrounding Boyz N the Hood to assess if images of black women and girls have evolved in contemporary films. Directed by John Singleton, the film emerged during and reflected an important moment of the post-Reagan political and cinematic landscape. The routine racial profiling of young non-white males, the brutal beating of Rodney King by the LAPD in and the subsequent acquittal of the police officers involved furthered social unrest. Capitalising on and conveying the issues of disadvantaged neighbourhoods such as South Central LA , gangsta rap artists, most famously NWA, detailed the systemic injustices faced by young racially marginalised males with political consciousness. Craig Watkins. Although rap and film are two very distinct forms and should be treated differently, the ghetto action movie cycle opened up debates that gangsta rap had previously. King would have to say about rappers calling black women bitches and whores? However, the representation of black women in the filmic hood and the often misogynistic attitude of the black male characters towards them has stimulated much scholarly discussion.
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